Diskobolos vs. Ramesses Ii

Diskobolos vs. Ramesses II There ar many unique qualities in cheat that depict the different time intents. star can decipher specific eras found on the attributes of the painting or mold. antediluvian patriarch Egypt molds ar completely different from antique Greece carvings by way of frame position, facial nerve miens and materials used. Under fundamenting backgrounds, time bounds, and history of the sculptures be important when analyzing the works of art. Ramesses II is locate at the University of Pennsylvania Museum of Archaeology. The statue was found at the Heracleopolis, Temple of Harsaphes, in Egypt (Ramesses II). Archaeologists believe that the sculpture was do mostwhere between 1897 and 1834 B. C during the time of the Middle Kingdom. The facial expression and body language illustrates his desire to be timeless. The sculpture is positioned in such a way that the body tactile sensations like it could stand the test of time. Made out of Quartzite stone, thi s sculpture is designed to preserve the Pharaohs effect and immortality. The Pharaoh is seated with both hands and feet place purposely close to his body to typify success, reign and world power. He sits upright in a tranquil manner reflecting power and kingship (Ramesses II). Every inch of his body is made to perfection. His proportions are impeccable and is represents that of a god. The award of Ramesses is much, like all of the other antediluvian patriarch Egyptian rulers during this tie period. The face has no personal qualities. The same characteristics appear on almost all of his statues a move back forehead with prominent brows fantasyful, slightly gloomy eyes an aquiline nose with a broad bridge and rounded cessation and a narrow mouth (Ramasses II).The statue of Ramesses II is rather similar to the statue of Khafra. Ramesses II is seated in the exact same position as Khafra. Their hands and feet are close to the body while their faces have no personal attributes t hat give them their own identity. some(prenominal) Statues were made to signify power and control. They treasured to be timeless and appear motionless. (See telephone number 1) Figure 1. Statue of Ramesses II. The Ancient Greece era occurred afterward the Ancient Egyptian era and they had a very different design ascetic.In the classical period the Grecians bring ind sculptures that were more flavour like. The sculptures actually looked like they were moving. Limbs were away from the body unlike that of Egyptian sculptures. The statues were asymmetrical and were positioned in a non-conventional way. A sculpture that has these characteristics is Diskobolos, It was before created in bronze around 460-450 B. C. The statue is of a man about to throw a disk. He is bent at the cannon with one arm out to the side. The potential energy expressed in this sculptures tightly-wound pose, expressing the atomic number 42 of stasis just before the release, is an example of the advanceme nt of Classical sculpture from the Egyptian period(Diskobolos). This position demonstrates harmony and balance because all(prenominal) inch of his body is workings in concert to create a smooth driveway and throw. Each movement is essential to install the position. The working left arm balances the tenanted right leg in the prior position and the relaxed right arm balances the liberate left leg(Janson, 124). The facial features are much more realistic.In this sculpture his face looks like he is working hard and focusing on the game. Emotions were thought out at this time period when creating art. If someone was happy they looked like it and if some was in pain they had the look of organic discomfort. Also the idea of movement is really predominant in this time period. either the statues look like they are waiver to take a step or throw something in order to create movement. (See figure 2) figure 2. Statue of Diskobolus Both Greek and Egypt Sculptures have considerable dif ferences but they to a fault have some similarities.Both market-gardenings cherished the idea of a perfect tendinous body yet one treasured movement over timelessness. Each culture is unique with the artwork and sculptures that they left shadower for us to study. They each donated something special to us and each art style had a profound effect on how we look and judge art. Works Cited Discobolus. Sir Thomas Browne. Web. 17 Nov. 2009. . Janson, H. W. Jansons history of art the western tradition. swiftness Saddle River, NJ Pearson Education, 2007. Print. Ramesses II. Grove artifice Onine. Oxford university press. Web. 10 Nov. 2009. .